• Womanmaking is neither philosophical nor imaginary.

    It is real. And it works.

    These are practical instructions.


    Womanmaking starts with holding space.

    This is the Skill#1 a Man needs to learn expertly.


    Of course, there is a bit more to it...


    Yes also need your Center, your Grounding Cord, your Bubble, your Clicker, your Presence, your Attention, your Sword of Clarity, and your Gremlin resting attentively at your side.

    You need to be an Experimenter in Experiential Reality, lowering your Numbness Bar, differentiating your feelings from your emotions and your 6 Ego States.

    You need to Stellate your 4 Feelings Archetypes, open your Pearl, distill your Bright Principles, and your Shadow Principles.

    You need to find your Hidden Competing Commitments, navigate 3 Worlds,

    and distinguish 3 Games.

    Then you need to activate every inner and outer resource you have to completely exit the Patriarchy... forever.

    And start over to discover how to be an initiated adult man in Archearchy.


    You need to take a true Stand, Go Nonlinear through Doorways that you either Notice or make through Being Unhookable, healing your emotional Reactivity, discovering Archetypal Love and Countenance, and Learning to endure the unbearable lightness of Being...

    plus take Flying Lessons...

    ...to begin with.


    These are exact instructions.


    Look at it like a bridge.

    You don't get across a bridge except by taking

    every step along the way.

    But without the bridge...? You're screwed.


    Then if you eventually reach the other shore, the exciting lessons can begin.


    They arrive through this alive Archetypal Woman in front of you

    as her doorway opens so the treasures can flow

    into the Presence space of a true Listener.


    Womanmaking... will you go for it?



    We recommend you start watching this Aurora Aksnes video at 1:17...


    Try to get it how Martin Skålnes holds space for Aurora to sing.

    He is completely in harmony with this Woman... but she is in front.

    Martin backs Aurora up in absolute firmness, being totally blessed by her going forward

    into the scariest kind of communication a human being can make.

    Aurora takes a stand in that space...

    It is breathless. Yet she breathes enough to fight for something bigger than any man can imagine.


    I'm trying to battle the night,

    And I hold a sword to guide me.
    I'm fighting my way.

    Underneath darkened sky
    There's a light kept alive.

    Let Love conquer your mind.

    Just reach out for the Love.

    I'm a warrior of Love.


    She shines. He is the platform. Everybody wins.


    He sings full out, yet his purpose is being reliably there for her.

    This is collaborative emergent spaceholding of the masculine for the feminine.

    It's a service, a piece of conscious archetypal theater that makes the gods smile down upon us.

    Martin makes it safe for the unspoiled innocence of Aurora to radiate.


    What you need to realize is that degree of wise innocence is always there behind a Woman.

    (Why always? Because it is archetypal.)


    Holding space for a Woman is not fair, because the contributions from the feminine and masculine are unequal. Neither is more nor less, better nor worse.

    They serve different Principles.

    But the Principles are themselves harmonious.

    When playing full out together they become alchemically transformative.


    It is like light and space.

    Nobody pays attention to the space because the light is so beautiful.

    But without space, there would be nothing for the light to fly through.

    And space is so fulfilled serving the light this way.

    Just watch and see.


    ...so, what's the big deal?

    What does a Man get by holding space for a Woman?


    You get a place in her Queendom...


    ..at this point words fail to deliver the overwhelming miraculously graceful benevolence of the healing experience of what that is.

  • Cecilia Payne

    Cecilia Payne

    ❝Since her death in 1979, the woman who discovered what the universe is made of has not so much as received a memorial plaque. Her newspaper obituaries do not mention her greatest discovery. […] Every high school student knows that Isaac Newton discovered gravity, that Charles Darwin discovered evolution, and that Albert Einstein discovered the relativity of time. But when it comes to the composition of our universe, the textbooks simply say that the most abundant atom in the universe is hydrogen. And no one ever wonders how we know.❞ — Jeremy Knowles, discussing the complete lack of recognition Cecilia Payne gets, even today, for her revolutionary discovery. (via alliterate)



    • Cecilia Payne’s mother refused to spend money on her college education, so she won a scholarship to Cambridge.

    • Cecilia Payne completed her studies, but Cambridge wouldn’t give her a degree because she was a woman, so she said to heck with that and moved to the United States to work at Harvard.

    • Cecilia Payne was the first person ever to earn a Ph.D. in astronomy from Radcliffe College, with what Otto Strauve called “the most brilliant Ph.D. thesis ever written in astronomy.”

    • Not only did Cecilia Payne discover what the universe is made of, she also discovered what the sun is made of (Henry Norris Russell, a fellow astronomer, is usually given credit for discovering that the sun’s composition is different from the Earth’s, but he came to his conclusions four years later than Payne — after telling her not to publish).

    • Cecilia Payne is the reason we know basically anything about variable stars (stars whose brightness as seen from earth fluctuates). Literally every other study on variable stars is based on her work.

    • Cecilia Payne was the first woman to be promoted to full professor from within Harvard, and is often credited with breaking the glass ceiling for women in the Harvard science department and in astronomy, as well as inspiring entire generations of women to take up science.

    • Cecilia Payne is awesome and everyone should know her.

    (OP: Matthew Gardner)

    "Mansplaining": a man explaining to woman what woman are.

  • A song written and sung by a Man,

    out of his respect and admiration

    and direct experience

    of the possibility of Woman.

    “I don’t want to hear about the darkness,” She said,
    With a gentle aching cry.
    “Write me a love song, “She said,
    “So I can open my sweet wings and fly.”
    “I don’t want to dwell in the madness,” She said,
    “I want to concentrate on the light.
    So keep your cynicism to yourself,” She said,
    “I want to love not fight.”
    Thank God for the Women.
    Thank God for the Women
    In these times of confusion.
    Thank God for the Women
    They keep us from drowning in illusion.
    Yeah, thank God for the Women.
    “Take your talk of war and pain,” She said,
    “Get it out of my face.
    Leave it for your conversations with the other boys.
    I want to talk of love and beauty and grace.”
    Thank God for the Women.
    She slaps us in the face with Her cold hard truth
    That turns soft and warm when our hearts let loose.
    Thank God for the Women.
    “I will not indulge your terrors,” She said,
    “Let my touch begin to heal.
    There isn’t time to hash out all the wrongs,” She said,
    “It’s only bright joy we need to feel.”
    And I said, “Thank God for the Women!”
    “Confusion and doubt are useless,” She said,
    “Things are simple in my view.
    I’m not interested in things that don’t work.
    I’d rather give myself to a life of loving you.”
    Oh, thank God for the Women!


    Lyrics from the CD écrasé par l’amour (crushed by love) written and sung by Lee Lozowick.

    Muse-ic Records © 2004 Lee Lozowick. All rights reserved.

  • Experiments

    Decide consciously what you see, who you are listening and talking to, and who you are Being With.

    Experiment WOMANMAK.01

    Anybody can look at a pretty girl and see a pretty girl. An artist can look at a pretty girl and see the old woman she will become. A better artist can look at an old woman and see the pretty girl that she used to be. But a great artist-a master-and that is what Auguste Rodin was-can look at an old woman, portray her exactly as she is...and force the viewer to see the pretty girl she used to be...and more than that, he can make anyone with the sensitivity of an armadillo, or even you, see that this lovely young girl is still alive, not old and ugly at all, but simply imprisoned inside her ruined body. He can make you feel the quiet, endless tragedy that there was never a girl born who ever grew older than eighteen in her heart...no matter what the merciless hours have done to her. Look at her. Growing old doesn't matter to you and me; we were never meant to be admired-but it does to them.”
    ― Robert Heinlein, author of The Number of the Beast


    Experiment: For the next 4 weeks, consciously decide who you are looking at and who you are listening and talking to, regardless of what evidence is given you to the contrary.



    It seems that without feeling like I deserve it at all, I am somehow being initiated back into the Garden.

    It is the Garden that Archetypal Woman builds within the space held for that purpose by Archetypal Man.

    This is the Garden that Woman is, the Garden of Eden.



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